Start by training as an actor, because voice over is acting with a microphone. Then set up a quiet corner with a good USB microphone and headphones, practise daily on copy you write yourself, and audition where beginners are welcome: ACX audiobooks, open casting sites and work you create. Hold off on a demo until you're competitive. We put these questions to actor and voice-over teacher David H. Lawrence XVII.
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Almost anyone can start, but David's advice is to decide to become an actor. Only the thing capturing your performance changes: an audience, a camera or a microphone.
Your background can help. David sees people cross over from on-camera work, radio and theatre, but also doctors, lawyers and salespeople who bring a storytelling streak. Age isn't the barrier people fear: there's work at every age when a producer needs a voice like yours.
Because a "nice voice" isn't what books the job. David says what gets hired is authenticity (trusting you are enough), authority (taking on a job with confidence) and agility (delivering quickly, without days of rehearsal).
Voice over is also many jobs. His curriculum covers around 14 kinds, from commercials, audiobooks and phone systems (IVR) to animation, games, documentary narration, promos and training films.
Read out loud every day and record it. Talk to one imaginary listener, because even an ad heard by millions is heard by one person at a time. Understand exactly what you're saying, and let the words carry the emotion instead of pushing. Most work now wants natural speech, not the old announcer sound. More in our voice acting tips.
Aim for good, not perfect: quiet, with presence, recorded neither so soft it lifts room noise nor so loud it clips.
Write your own: a 15-second spot for something in your kitchen, a phone menu for an imaginary business, a paragraph of narration about your street. Don't copy real ads word for word.
Then use David's routine on each: read until the words speak to you, decide where you sit in the script, bring something from your own life, and make your second take a bold change, not a small one.
Later than you think. David won't make a demo for someone who isn't ready, because a demo made too early is weaker than one made after training, and it's what agents judge you on. Plenty of people book without one. Some demos, like audiobook samples, you can record yourself; commercial, narration, phone system, animation and promo demos are best made with a producer. See our voice over demo guide.
Audiobooks on ACX. David calls audiobooks the lowest-hanging fruit. On Audible's ACX marketplace you search for titles and upload your audition yourself. As of November 2026, ACX says it's open to residents of the US, UK, Canada and Ireland with a local tax number and bank account. His caveat: many projects sell very few copies, so treat early titles as paid practice.
Casting sites. For commercials and narration he names Voice123, Bodalgo and Actors Access.
Work you create. Most voice actors work without an agent, he says, through referrals, past clients and their own content. Student films and small independent games can also give you first credits.
No. David says there are no managers in voice over, and agents mainly open the top tier: big advertisers, major film and TV, large narration houses. The bigger body of work underneath usually doesn't need one. See how to get a voice over agent for when you're ready.
Make SAG-AFTRA a goal, not a starting requirement. There's plenty of non-union work, though he notes union work usually pays better, with residuals and better conditions.
The classic beginner trap, David says, is "suiting up" into a polished announcer version of yourself. Just be you, and slate in your own friendly voice, not in character. Name the file exactly as asked, and send most auditions as a 128k constant bitrate mono MP3 with no music or effects.
On casting sites, speed matters: an hour or two late can mean you miss the group that gets heard. Listeners often decide in about three seconds, so keep auditioning rather than waiting.
Follow the money. As of November 2026, the FTC's job scams guidance says honest employers never ask you to pay to get a job, and a cheque you're asked to deposit and partly send back is a scam.
David adds one for voice: if a commercial audition insists on an exact 30-second read, pass, because he says it can be a sign they plan to use the best audition in the finished ad.
Yes. Start with acting and voice-over training, set up a quiet place to record, practise daily on your own copy and audition on open marketplaces such as ACX and the casting sites.
Record in a quiet, soft space such as a wardrobe full of clothes, using a good USB microphone, headphones and free software like Audacity. Your laptop's built-in microphone isn't good enough.
Not on day one. Plenty of people book without one, and a demo made before you're competitive is weaker than one made after training and practice.
Audiobooks on ACX, casting sites such as Voice123, Bodalgo and Actors Access, referrals, past clients and projects you create yourself. Most of this work doesn't need an agent.
Not the way people fear. Our voice-over expert told us there is work at every age when a producer needs a voice like yours.
Be wary of anyone who asks you to pay to get a job or to send back part of a cheque, and pass on a commercial audition that insists on an exact 30-second read.
Every voice actor is an actor first. If you're starting from zero, our free guide 10 Steps To Becoming An Actor is a good companion to this page.
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