Member resources
You booked it. Now the job is a different job. Sets run on unwritten rules, and the actors who get asked back are almost never the ones who were merely good in the scene - they are the ones who were easy, prepared and pleasant at 5am on day nine.
Start with the class Go to the libraryJourney 7 is the whole thing in ninety minutes. Watch it before your next booking, not after.
The full class on being on set and being asked back.
A smaller library than the other hubs - most of what you need is in the class above. These are the specific questions members and filmmakers have asked.
Directors and producers on what makes an actor easy to work with, and what quietly gets you cut.
Set rules for under-18s, what a parent should and should not do, and how to protect a young performer.
Working as background, what it is and is not good for, and set behaviour when you are not the lead.
What to do with a credit once you have it. The follow-up most actors never do.
One more thing. Nobody on a set cares how you prepared. They care whether you know your lines, hit your mark, and do not make the day longer. Do those three and you will out-earn more talented actors for your whole career.