Member resources
You booked it. Now the job is a different job. Sets run on unwritten rules, and the actors who get asked back are almost never the ones who were merely good in the scene - they are the ones who were easy, prepared and pleasant at 5am on day nine.
Start with the masterclass Go to the libraryJourney 7 is the whole thing in ninety minutes. Watch it before your next booking, not after.
The full masterclass on being on set and being asked back.
Class downloads
Four downloads with this masterclass
Open the masterclass and you will find them under the video: a Class Summary Booklet so you can read it instead of rewatching, a How To Guide laid out in the order you do the work, a Goal Checklist to tick off as you go, and a 50 question Test with the answers at the back.
Short guides pulled straight from the masterclass. Handy to share with an actor friend, too.
Free guide
Your First Day on Set as an Actor: Set Etiquette
Who to sign in with, who to ask, and the one page scene map Kym carries on every set.
Free guide
Self Tape Setup at Home: Kym Jackson's Kit List
The backdrop, lighting, framing and export settings Kym uses at home, in a hotel, or with no kit at all.
Two-minute answers, straight from the casting directors, agents and managers in our library.
Actor question
Co-Star vs Guest Star: TV Roles Explained
What each TV role means and what it pays in 2026.
Actor question
How to Become a Background Actor
Signing up, vouchers and 2026 background rates.
Actor question
How to Get Your Child Into Acting
Training, agents, scams, work permits and Coogan accounts.
Actor question
Teen Actors: A Parent's Guide
Agents, school, legal 18 and money, for parents of 13 to 17 year olds.
A smaller library than the other hubs - most of what you need is in the class above. These are the specific questions members and filmmakers have asked.
Directors and producers on what makes an actor easy to work with, and what quietly gets you cut.
Set rules for under-18s, what a parent should and should not do, and how to protect a young performer.
Working as background, what it is and is not good for, and set behaviour when you are not the lead.
What to do with a credit once you have it. The follow-up most actors never do.
One more thing. Nobody on a set cares how you prepared. They care whether you know your lines, hit your mark, and do not make the day longer. Do those three and you will out-earn more talented actors for your whole career.