Member resources
The audition is the job. It is the only part of this career you get to do every week whether or not anyone hires you, and it is the one thing you can get reliably better at on purpose. This page is everything SAS has on it: the classes, the self-tape kit, the room, finding your own auditions, and several hundred answers straight from the people on the other side of the camera.
Start with the classes Go to the libraryIf you only do one thing: watch Self Tape Mastery, then fix your set-up against it. More auditions are lost on the technical side of a tape than on the acting.
The two long classes that cover the whole method, the short one on the room itself, and one on finding auditions when nobody is sending them to you.
1Journey 5A · 1h 31m
Audition Mastery
The complete method. Breaking down sides, making choices, the tape, the room, and what to do afterwards.
2Journey 5B · 1h 51m
Self Tape Mastery - You Will Book More
The self-tape class in full. Set-up, framing, sound, readers, and the edit. Watch this before you tape anything else.
3Class · 26 min
Nail Your In-The-Room Auditions
What changes when there are people in the room, and how to use that instead of surviving it.
4With Kevin E. West · 1h 07m
How To Find Your Own Film & TV Opportunities with Kevin E. West
Where the auditions actually are, and how to get in front of them without waiting on a rep.
Grouped by where you are in the process. The how-to pieces come first in each group, the rapid-fire answers after.
The set-up, the reader, the framing, the file, and how to send it. Most self-tapes are lost on the technical side before the acting is ever judged.
Lines, sides, nerves, adjustments, what to do with your hands, and how to leave.
Getting off book, breaking down the scene, researching who is casting, and arriving with actual choices.
Self-submission, open calls, and the projects that never reach a breakdown service.
A different job with different rules. Union questions, conflicts, callbacks and bookings.
Recording, exporting, deadlines and the traps specific to voice work.
The process from the inside, and what directors and producers are doing while you are in the room.
Whether they are worth it, how to choose one, and what to do afterwards.
Four collections of rapid-fire answers from working casting directors. Over 700 videos between them, so treat these as something to search rather than watch end to end.

Collection · 164 videos
Casting Directors On Self-Taped Auditions
Every self-tape question, answered by the people who watch them all day.

Collection · 174 videos
Casting Directors On In-Room Auditions
What they want to see the moment you walk through the door.

Collection · 161 videos
Casting Directors On Booking The Role
What separates the actor who books from the four who were also good.

Collection · 205 videos
Casting Directors On Selecting Actors
How the list gets made, and how you get onto it in the first place.
One more thing. Almost every answer on this page from a casting director comes back to the same two ideas: make a real choice, and be easy to work with. Everything else is technique in service of those. If a video contradicts another one, that is not a mistake in the library - different casting offices genuinely want different things, and knowing that is itself the lesson.